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The Eagle" was inspired by Tennyson's frequent travels to the Pyrenees. He frequently saw eagles, raptors, and other birds of prey circling above him in this area. In the poem, Tennyson opted to create an imaginary setting of cliffs by the sea, instead of the mountainside. Tennyson is known for his imagery and transcendental vantage points. [5]
Alfred Tennyson, 1st Baron Tennyson FRS (/ ˈ t ɛ n ɪ s ən /; 6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria 's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu".
Poems, by Alfred Tennyson, was a two-volume 1842 collection in which new poems and reworked older ones were printed in separate volumes.It includes some of Tennyson's finest and best-loved poems, [1] [2] such as Mariana, The Lady of Shalott, The Palace of Art, The Lotos Eaters, Ulysses, Locksley Hall, The Two Voices, Sir Galahad, and Break, Break, Break.
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The poem can be interpreted as Tennyson’s perspective on the connection between God and Nature. [8] English critic Theodore Watts characterized Tennyson as a "nature poet." [ 9 ] Fredric Myers described Tennyson as incorporating the “interpenetration of the spiritual and material worlds" into his literary works.
The poem was inspired by Charlotte Rosa Baring, younger daughter of William Baring (1779–1820) and Frances Poulett-Thomson (d. 1877). Frances Baring married, secondly, Arthur Eden (1793–1874), Assistant-Comptroller of the Exchequer, and they lived at Harrington Hall, Spilsby, Lincolnshire, which is the garden of the poem (also referred to as "the Eden where she dwelt" in Tennyson's poem ...
New Jersey proposed Monday removing the bald eagle from its endangered species list, citing a rebound since more than four decades ago, when a single nesting pair in a remote county were the only ...
The volume had the following title-page: Poems, Chiefly Lyrical, by Alfred Tennyson. London: Effingham Wilson, Royal Exchange, 1830. [3] Favourable reviews appeared by Sir John Bowring in the Westminster, by Leigh Hunt in the Tatler, and by Arthur Hallam in the Englishman's Magazine. [2]