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The architectural structure seems to be the centre of an idyllic community, with most of its inhabitants casually going about their ordinary business, such as dining. There are windows and doorways leading to park-like outdoor settings. All of the figures are dressed in identical attire and have featureless bulb-shaped heads.
House of Stairs is a lithograph print by the Dutch artist M. C. Escher first printed in November 1951. This print measures 47 cm × 24 cm (18 + 5 ⁄ 8 in × 9 + 3 ⁄ 8 in). It depicts the interior of a tall structure crisscrossed with stairs and doorways. A total of 46 wentelteefje (imaginary creatures created by Escher) are crawling on the ...
The Old Stagecoach is an oil-on-canvas painting created in 1871 by American painter Eastman Johnson. [1] Occasionally written as The Old Stage Coach or The Old Stage-Coach, the painting is considered one of Johnson's finest and best-known works, second only to his Antebellum masterpiece Negro Life at the South (also known as Old Kentucky Home).
Schroeder stairs can be perceived in two ways, depending on whether the viewer considers A or B to be the closer wall. Schroeder stairs (Schröder's stairs) is an optical illusion which is a two-dimensional drawing which may be perceived either as a drawing of a staircase leading from left to right downwards or the same staircase only turned upside down, a classical example of perspective ...
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The lithograph depicts a large building roofed by a never-ending staircase. Two lines of identically dressed men appear on the staircase, one line ascending while the other descends. Two figures sit apart from the people on the endless staircase: one in a secluded courtyard, the other on a lower set of stairs.
The title of the painting translates to English literally as Ongoing Time Stabbed by a Dagger, and Magritte was reportedly unhappy with the generally accepted translation of Time Transfixed. [3] Magritte hoped that James would hang the painting at the base of his staircase so that the train would "stab" guests on their way up to the ballroom.
The painting was painted close to the end of the Industrial Revolution, which brought a massive shift from an agrarian economy to one dominated by machine manufacturing in the Victorian era. [3] The railway was among the most potent symbols of industrialisation, since this new way of transportation heavily affected industrial and social life. [ 4 ]