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Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. Klimt is noted for his paintings, murals, sketches, and other objets d'art.
The Stoclet Frieze is a series of three mosaics created by the Austrian painter Gustav Klimt for a 1905-1911 commission for the Stoclet Palace in Brussels, Belgium. The panels depict swirling Tree of life , a standing female figure and an embracing couple.
This article's tone or style may not reflect the encyclopedic tone used on Wikipedia. See Wikipedia's guide to writing better articles for suggestions. (November 2020) (Learn how and when to remove this message) This page is an illustrative list of Gustav Klimt's major paintings, and represents a chronological look at some of his main pictorial production. The list is ordered by year and ...
Women Friends (1916-1917) is a painting by Austrian symbolist painter Gustav Klimt. Alternatively known as The Friends , or Girlfriends II ( Freundinnen II ), among others, the work was destroyed by fire in 1945 alongside several other of Klimt's paintings in the burning of Schloss Immendorf .
Gustav Klimt: Year: 1901–1902 [1] Medium: Charcoal, graphite, black, red and coloured chalk, pastel, casein colours, gold, silver, gilt stucco, applications (mother-of-pearl buttons, brass uniform buttons, mirror fragments, ground glass, brass curtain rings, upholstering nails, semi-precious stones) on mortar render over reed matting [1] Location
The painting is a study for a series of three mosaics created by Klimt for a 1905-1911 commissioned work at the Stoclet Palace in Brussels, Belgium. The mosaics were created in the artist's Late Works period and depict swirling Trees of Life , a standing female figure, and an embracing couple.
Enjoy a classic game of Hearts and watch out for the Queen of Spades!
Lady with a Fan (German: Dame mit Fächer) was the final portrait created by the Austrian painter Gustav Klimt. [1] Painted in 1917, the uncommissioned piece depicting an unidentified woman was on an easel in his studio when he died in 1918. [2] Like many of Klimt's late works, it incorporates strong Asian influences including many Chinese ...