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Initially modern dropped ceilings were built using interlocking tiles and the only way to provide access for repair or inspection of the area above the tiles was by starting at the edge of the ceiling, or at a designated "key tile", and then removing contiguous tiles one at a time until the desired place of access was reached.
Guastavino tile vaulting in the City Hall station of the New York City Subway Guastavino ceiling tiles on the south arcade of the Manhattan Municipal Building. The Guastavino tile arch system is a version of Catalan vault introduced to the United States in 1885 by Spanish architect and builder Rafael Guastavino (1842–1908). [1]
Tin ceiling in a private music room, Queensland, Australia, 1906. Tin ceilings were traditionally painted white to give the appearance of hand-carved or molded plaster. They were incorporated into residential living rooms and parlors as well as schools, hospitals and commercial businesses where painted tin was often used as wainscoting.
While these factories produces high-relief tiles in one or two colours, the Lisbon factories started using another method: the transfer-print method on blue-and-white or polychrome azulejos. In the last decades of the 19th century, the Lisbon factories started to use another type of transfer-printing: using creamware blanks.
The sheen [4] or gloss level of a paint is principally determined by the ratio of resinous, adhesive binder, which solidifies after drying, and solid, powdery pigment.The more binder the coating contains, the more regular reflection will be made from its smooth surface; conversely, with less binder, grains of pigment become exposed to the surface, scattering the light and providing matte ...
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