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Tradeware ceramics in the Philippines consisted of Chinese, Thai, and Vietnamese porcelain. [1] The materials discovered can be identified as 70-75% Chinese, 22-25% Thai and 5-8% Vietnamese. The wares are named by their place of manufacture, individually by various popular terms and the period in which they were produced. [1]
Chinese ceramics are one of the most significant forms of Chinese art and ceramics globally. They range from construction materials such as bricks and tiles, to hand-built pottery vessels fired in bonfires or kilns , to the sophisticated Chinese porcelain wares made for the imperial court and for export.
The largest group of Chinese in the Philippines are the "Second Chinese", who are descendants of migrants in the first half of the 20th century, between the anti-Qing 1911 Revolution in China and the Chinese Civil War. This group accounts for most of the "full-blooded" Chinese. They are almost entirely from Fujian Province.
Seal "Meiyintang", carved by the Taiwanese artist Xiao Yu (b. 1947) Object from the Meiyintang Collection at Rietberg Museum The Meiyintang Collection is a privately owned assembly of Chinese ceramics, porcelain and bronzes, which has been hailed as one of the finest private collections of Chinese porcelain in the Western world.
Porcelain. Porcelain is a kind of ceramic made from kaolin at high temperature. The earliest ceramics in China appeared in the Shang dynasty (c.1600–1046 BCE). And the production of ceramics laid the foundation for the invention of porcelain. The history of Chinese porcelain can be traced back to the Han dynasty (206 BC – 220 AD). [18]
Kalinga Pottery and its Uses [4] A jar from the Philippines housed at the Honolulu Museum of Art, dated from 100–1400 CE. In Kalinga, ceramic vessels can be used for two situations: daily life use and ceremonial use. Daily life uses include the making of rice from the pots and the transfer of water from nearby water bodies to their homes.
They were generally not collected by the Chinese and most Western and Chinese museums with good collections of ceramics have sparse holdings. [42] The Dutch Princessehof Ceramics Museum has an exceptional collection of some 170 pieces, [ 43 ] with "the most representative range of the type", [ 44 ] though in terms of shapes it concentrates on ...
Earthenware vessels in the Philippines were formed by two main techniques: paddle and anvil, and coiling and scraping. [2] Although a level of highly skilled craftsmanship is present in the Philippines, no evidence of kilns are found, primarily because the type of clay to be found in the archipelago can only withstand relatively low temperatures of firing.