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The Sixty-nine Stations of the Kisokaidō (木曾街道六十九次, Kisokaidō Rokujūkyū-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige and Keisai Eisen. There are 71 total prints in the series (one for each of the 69 post stations and Nihonbashi; Nakatsugawa-juku has two prints).
Keisai Eisen (渓斎 英泉, 1790–1848) was a Japanese ukiyo-e artist who specialised in bijin-ga (pictures of beautiful women). His best works, including his ōkubi-e ("large head pictures"), are considered to be masterpieces of the "decadent" Bunsei Era (1818–1830).
The prints were very popular amongst the Japanese merchants and the middle class of the time. From the Edo period to the Meiji period (1868–1912), the technical evolution of ukiyo-e processes increased, with the accuracy of carving and printing and the vividness of colors used developing through the introduction of new printing processes and ...
The first of the prints in the series was published jointly by the publishing houses of Hōeidō and Senkakudō, with the former handling all subsequent releases on its own. [3] Woodcuts of this style commonly sold as new for between 12 and 16 copper coins apiece, approximately the same price as a pair of straw sandals or a bowl of soup. [6]
Keisai Eisen's ukiyo-e print of Kumagai-shuku dates from c. 1835–1838. This complicated composition is set at a fork in the highway, with a sign pointing in the direction of Oshi Castle in one direction and Fukaya-shuku in the other. A way-side tea-house is located in the fork of the road, advertising udon noodles and ankoro (a sweet bean paste).
You are free: to share – to copy, distribute and transmit the work; ... Keisai Eisen, woodblock print on paper, 1830 (private collection) Items portrayed in this file
Keisai Eisen's ukiyo-e print of Ageo-shuku dates from 1835–1838. The inscription to the upper left corner mentions the Kamo Shrine, which was noted for its autumn festival. Votive banners for the shrine are depicted in the rear of the tea house, and are advertising "Takenouchi" and "Hoeidoh", the publishers of the series of prints.
Keisai Eisen's print of Itabashi-shuku, part of the series The Sixty-nine Stations of the Kiso Kaidō. Itabashi-shuku (板橋宿, Itabashi-shuku) was the first of the sixty-nine stations of the Nakasendō. [1] It is located in Itabashi, Tokyo, Japan.