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The Baroque guitar (c. 1600 –1750) is a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course sometimes used only a single string. The first (highest pitched) course sometimes used only a single string.
Folk baroque or baroque guitar is a distinctive and influential guitar fingerstyle developed in Britain in the 1960s, which combined elements of American folk, blues, jazz and ragtime with British folk music to produce a new and elaborate form of accompaniment.
His compositions provide some of the most important examples of popular Spanish baroque music for the guitar and now form part of classical guitar pedagogy. Sanz's manuscripts are written as tablature for the baroque guitar and have been transcribed into modern notation by numerous guitarists and editors; Emilio Pujol's edition of Sanz's Canarios being a notable example.
Name Born Country Abel Carlevaro: 1916–2001: Uruguay Agustín Barrios Mangoré: 1885–1944: Paraguay Alexandre Lagoya: 1929–1999: France Alirio Díaz: 1923–2016
A baroque guitar by Joachim Tielke in the V&A Museum, London, UK. Bell cittern by Joachim Tielke in the V&A Museum, London, UK. Joachim Tielke (14 October 1641 – 19 January 1719) was a German maker of musical instruments. He was born in Königsberg (now Kaliningrad), Duchy of Prussia a fief of Kingdom of Poland, and died in Hamburg.
Archlute by Matteo Sellas Baroque guitar by Matteo Sellas. Matteo Sellas (sometimes also written Mateo Sellas or in original German Matthäus Seelos) was a German luthier born in 1580 in Füssen who worked in Venice from 1620–1650 [1] and is best known for building lutes, archlutes and baroque guitars.
The baroque guitar (c.1600–1750) was a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course was sometimes a single string. The first (highest pitched) course was sometimes a single string.
Francesco Corbetta (ca. 1615 – 1681, in French also Francisque Corbette) was an Italian guitar virtuoso, teacher and composer.Along with his compatriots Giovanni Paolo Foscarini and Angelo Michele Bartolotti, he was a pioneer and exponent of the combination of strummed and plucked textures referred to today as "mixed" style.