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Semar mendem which is lemper wrapped in thin omelette. A variant snack almost identical to lemper is called semar mendem. Both are glutinous rice filled with shredded seasoned chicken. Instead of banana leaf wrapping, semar mendem uses a thin omelette made from egg and flour as wrapper, hence rendering the whole package edible.
In D. Bourchier and J. Legge (Eds.), Democracy in Indonesia: 1950s and 1990s (pp.143-150). Clayton: Centre of Southeast Asian Studies, Monash University. Bush, R. (2009). Nadhlatul Ulama & the Struggle for Power within Islam & Politics in Indonesia. Singapore: ISEAS Publishing. Feener, M. (2007). Muslim Legal Thought in Modern Indonesia. New ...
The culture of Indonesia (Indonesian: Budaya Indonesia) has been shaped by the interplay of indigenous customs and diverse foreign influences. With over 600 distinct ethnic groups , including significant Austronesian and Melanesian cultures, contributing to its rich traditions, languages , and customs, Indonesia is a melting pot of diversity.
The history of the arrival of Islam in Indonesia is somewhat unclear. [1] One theory states that Islam arrived directly from Arabia as early as the 9th century, during the time of the Umayyad and Abbasid caliphates. Another theory credits Sufi travelers for bringing Islam in the 12th or 13th century, either from Gujarat in India or from Persia. [2]
Indonesian traditional Quranic school. The spread of Islam in Indonesia was a slow, gradual and relatively peaceful process. One theory suggests it arrived directly from Arabia before the 9th century, while another credits Sufi merchants and preachers for bringing Islam to Indonesian islands in the 12th or 13th century either from Gujarat in India or directly from the Middle East. [4]
Since 1992, cultural properties have been protected under Act of the Republic of Indonesia Number 5 of 1992 regarding Cultural Properties (Undang-Undang Republik Indonesia Nomor 5 Tahun 1992 tentang Benda Cagar Budaya), which was passed by President Suharto on 21 March. This new law was passed as the old, colonial laws were considered no longer ...
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Semar is a character in Javanese mythology who frequently appears in wayang shadow plays. He is one of the punokawan (clowns) but is divine and very wise. He is the dhanyang (guardian spirit) of Java, [ 1 ] and is regarded by some as the most sacred figure of the wayang set. [ 2 ]