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"Melangkah Di Atas Awan" was written by Eddy D. Iskandar, with Dwiki Dharmawan participating in the production, composition and arrangement. Musically, it is primarily a pop song composed and recorded in the key of G major, with a time signature of 4 4 and a tempo of 85 beats per minute. [6]
Abdullah Totong "A. T." Mahmud (3 October 1930 – 6 July 2010) was a renowned Indonesian composer of children's songs.Born in Palembang, South Sumatra, he taught as a teacher in Riau and Jakarta prior to beginning work as a composer.
Di sana tempat lahir beta Dibuai, dibesarkan bunda Tempat berlindung di hari tua Tempat akhir menutup mata Second verse: Sungguh indah tanah air beta Tiada bandingnya di dunia Karya indah Tuhan Maha Kuasa Bagi bangsa yang memujanya Reff: Indonesia ibu pertiwi Kau kupuja, kau kukasihi Tenagaku bahkan pun jiwaku Kepadamu rela kuberi
Translation Abbrev. Year John 3:16 [6]; Kitab Suci Terjemahan Dunia Baru, Edisi 2017 (New World Translation of the Holy Scriptures, 2017 edition): NWT: 2017: Allah begitu mengasihi dunia ini sehingga Dia memberikan Putra tunggal-Nya, supaya setiap orang yang beriman kepadanya tidak dibinasakan tapi mendapat kehidupan abadi.
"Kumang Seari" is a song by Iban rock band Masterpiece. It was written by Depha, produced by Masterjam Studio, and included on their second studio album Rock & Roll and later releases were handled by Panggau Buluh Pengerindu Records.
Saiedi, Nader (2000). "Chapter 7: The Kitab-i-Aqdas: Date and Constitutive Principles". Logos and Civilization - Spirit, History, and Order in the Writings of Baháʼu'lláh. USA: University Press of Maryland and Association for Baha'i Studies. pp. 213– 293. ISBN 1883053609. OL 8685020M.
The santri of PPTQM Pakan Sinayan in Agam Regency, West Sumatra, Indonesia doing the Tapak Suci exercise. Tapak Suci Putera Muhammadiyah (lit. ' Sacred Palm, Sons of Muhammadiyah '), shortened as Tapak Suci, is an autonomous pencak silat martial arts organization of Muhammadiyah, the modernist, second largest Muslim organization in Indonesia.
Rashi cites Menahem ben Saruq in his claim that a gittith is a type of musical instrument. He then connects the term gittith to the city of Gath, meaning that a gittith would have been made by a Gittite, or a person from Gath. [1]