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The habanera rhythm is the duple-pulse correlate of the vertical hemiola (above). The three cross-beats of the hemiola are generated by grouping triple pulses in twos: 6 pulses ÷ 2 = 3 cross-beats. Tresillo is generated by grouping duple pulses in threes: 8 pulses ÷ 3 = 2 cross-beats (consisting of three pulses each), with a remainder of a ...
When one hears triple-pulse rhythms in Latin jazz the percussion is most often replicating the Afro-Cuban rhythm bembé. The standard bell is the key pattern used in bembé and so with compositions based on triple-pulse rhythms, it is the seven-stroke bell, rather than the five-stroke clave that is the most familiar to jazz musicians.
Standard pattern in duple-pulse (4 4) (Play ⓘ) and triple-pulse (12 8) form (Play ⓘ, and Play both together ⓘ. The most commonly used key pattern in sub-Saharan Africa is the seven-stroke figure known in ethnomusicology as the standard pattern, [18] [19] [20] or bembé. [21] The standard pattern is expressed in both a triple-pulse (12 8 or 6
Compound triple: three beats to a bar, each divided by three, the top number being "9" (9 8, 9 16, 9 4) If the beat is divided into two the metre is simple, if divided into three it is compound. If each bar is divided into two it is duple and if into three it is triple. Some people also label quadruple, while some consider it as two duples.
Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Meter is the measurement of the number of pulses between more or less regularly recurring accents. Therefore, in order for meter to exist, some of the pulses in a series must be accented—marked for consciousness—relative to others.
Son and rumba clave in simple meter (duple-pulse) and compound meter (triple-pulse) variants. Play duple son ⓘ, Play triple son ⓘ, Play duple rumba ⓘ, Play triple rumba ⓘ Concerning the role of clave in salsa music, Charley Gerard states: "The clave feeling is in the music whether or not the claves are actually being played."
Clear quarter note pulse in 4 4 at a tempo of =120 Play ⓘ.At =600 the pulse becomes a drone Play ⓘ, while at =30 the pulse becomes disconnected sounds Play ⓘ.. While ideal pulses are identical, when pulses are variously accented, this produces two- or three-pulse pulse groups such as strong–weak and strong–weak–weak [4] and any longer group may be broken into such groups of two and ...
Although rumba is played predominantly in binary meter (duple pulse: 2 4, 4 4), triple meter (triple pulse: 9 8, 3 4) is also present. In most rumba styles, such as yambú and guaguancó, duple pulse is primary and triple-pulse is secondary. [18] In contrast, in the rural style columbia, triple pulse is the primary structure and duple pulse is ...