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In the 1950s the Modern Jazz Fake Book, Volumes 1 and 2 was issued, and Fake Book Volume 3, containing about 500 songs, came out in 1961. The music in Fake Books 1, 2, and 3 was photocopied or reset with a musical typewriter from the melody lines of the original sheet music. Usually chord symbols, titles, composer names, and lyrics were ...
The Real Book is a musicians' fake book – a compilation of lead sheets for jazz standards. Fake books had been around at least since the late 1920s, but their organization was haphazard, and their content did not always keep pace with contemporary musical styles.
"C'est si bon" is a song composed by Henri Betti with original French lyrics by André Hornez and English version by Jerry Seelen in 1949. "Donna Lee" [136] [137] is a jazz composition by Charlie Parker. "In Walked Bud" [13] [16] [138] [139] is a song composed by Thelonious Monk.
According to The Strad, a leading Classical music magazine, "faking" occurs in all types of orchestras.. In instrumental music, "faking" is the process by which a musician gives the "...impression of playing every note as written" in the printed music part, typically for a very challenging passage that is very high in pitch and/or very rapid, while not actually playing all of the notes in the ...
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Marc Myers (born September 4, 1956) is an American journalist, author of five books and a regular contributor to The Wall Street Journal, where he writes on music, the arts and celebrities. In 2007, he founded JazzWax , a leading daily jazz blog [ 1 ] that has won three Jazz Journalists Association "Blog of the Year" awards.
Chapter One: Latin America is a 1973 album by Gato Barbieri.It was recorded and issued in 1973 on Impulse! Records as AS-9248. The album was re-released in 1997 as part of Latino America, a double CD that also included the album Chapter Two: Hasta Siempre along with unreleased tracks.
George Vitelle "Papa Jack" Laine (September 21, 1873 – June 1, 1966) [1] was an American musician and a pioneering band leader in New Orleans in the years from the Spanish–American War to World War I. [2] He was often credited for training many musicians who would later become successful in jazz music.