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In French, a variety of display cases, such as a store sales table or the Perspex glass protecting a piece of ceramics in a museum display, can be referred to as a vitrine. Additionally, a large event which is designed to exhibit or showcase merchandise, a topic or theme, can also be referred to as a vitrine, such as a "vitrine d'excellence".
Display case shows and protects a painting by a follower of Robert Campin. A display case (also called a showcase, display cabinet, shadow box, or vitrine) is a cabinet with one or often more transparent tempered glass (or plastic, normally acrylic for strength) surfaces, used to display objects for viewing.
A curio cabinet with vases. Curio cabinets of Catharina, wife of Douwe Sirtema van Grovestins. A curio cabinet is a specialised type of display case, made predominantly of glass with a metal or wood framework, for presenting collections [1] of curios, like figurines or other interesting objects that invoke curiosity, and perhaps share a common theme.
The drawing is related to the etching B095 : Study for Judas Returning the Thirty Pieces of Silver: c. 1628-1629?? Private collection: The drawing is related to the painting W23 : Standing Beggar in Lost Profile: c. 1628-1629: Pen: 29.4 x 17 cm: Rijksmuseum Amsterdam: The drawing is related to the etching B162 : Self-portrait with Open Mouth: c ...
The meaning of "cabinet" began to be extended to the contents of the cabinet; [9] thus we see the 16th-century cabinet of curiosities, often combined with a library. The sense of cabinet as a piece of furniture is actually older in English than the meaning as a room, but originally meant more a strong-box or jewel-chest than a display-case. [10]
Pencil drawings were not known before the 17th century, [1] with the modern concept of pencil drawings taking shape in the 18th and 19th centuries. [1] Pencil drawings succeeded the older metalpoint drawing stylus, which used metal instead of graphite. [1] Modern artists continue to use the graphite pencil for artworks and sketches. [1]
He married artist Mary Rankin Swan in Ireland in 1884 and had two children with her, including sculptor Mary Alice Swan. [3] He was elected associate in the Royal Academy in 1894 and academician in 1905. He was appointed a member of the Dutch Water-Colour Society in 1885; and associate of the Royal Society of Painters in Water Colours in 1896 ...
Christian Horneman's miniature portrait of Ludwig van Beethoven (1802).. In Denmark, Cornelius Høyer specialized in miniature painting (often 40 mm × 30 mm or approximately 1-1.5 inches, or in many case, oval or round in shape) in the second half of the 18th century and was appointed Miniature Painter to the Danish Court in 1769.