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In addition to leading the section, principal players are responsible for playing any solos written for that voice in a given musical score. The principal first violin is called the concertmaster (or "leader" in the UK) and is considered the leader of not only the string section, but of the entire orchestra, subordinate only to the conductor.
A voice change or voice mutation, sometimes referred to as a voice break or voice crack, commonly refers to the deepening of the voice of men as they reach puberty.Before puberty both sexes have roughly similar vocal pitches, but during puberty the male voice typically deepens an octave, while the female voice usually deepens only by a few tones.
The concertmaster (from the German Konzertmeister), first chair [1] (U.S.) or leader [2] (U.K.) is the principal first violin player in an orchestra (clarinet or oboe in a concert band). After the conductor , the concertmaster is the most significant leader in an orchestra , symphonic band or other musical ensemble .
The term voice changer (also known as voice enhancer) refers to a device which can change the tone or pitch of or add distortion to the user's voice, or a combination and vary greatly in price and sophistication. A kazoo or a didgeridoo can be used as a makeshift voice changer, though it can be difficult to understand what the person is trying ...
Sonorous (Deep or ringing sound) sonoro With full sound sopra Above; directive to cross hands in a composition for piano, e.g. m.s. sopra: left hand over; opposite: sotto (below) sopra una corda or sull'istessa corda To be played on one string soprano The highest of the standard four voice ranges (bass, tenor, alto, soprano) sordina, sordine ...
Paul Samuel Whiteman [1] (March 28, 1890 – December 29, 1967) [2] was an American Jazz bandleader, composer, orchestral director, and violinist. [3]As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz".
Taylor’s voice was, as John put it, “sweet as honey” on Chaka Khan’s “Sweet Thing,” especially after John instructed bandleader Paul Mirkovich to slow down the arrangement so that the ...
Auto-Tune can also be used as an effect to distort the human voice when pitch is raised or lowered significantly, [9] such that the voice is heard to leap from note to note stepwise, like a synthesizer. [10] Auto-Tune has become standard equipment in professional recording studios. [11]