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  2. Painting with Fire - Wikipedia

    en.wikipedia.org/wiki/Painting_With_Fire

    Painting with Fire (PWF) is the name given to an immersion process for creating torch fired enamel jewelry.This process is the focal point of torch fired enamel jewelry workshops taught by Barbara A. Lewis, written about in her book, and discussed in Belle Armoire Jewelry, [1] [2] [3] Handcrafted Jewelry, [4] Bead Trends, [5] Stringing [6] and Bead Unique.

  3. Vitreous enamel - Wikipedia

    en.wikipedia.org/wiki/Vitreous_enamel

    Limoges enamel is the best known type of painted enamel, using this from the 16th century onwards. [32] Most traditional painting on glass, and some on ceramics, uses what is technically enamel, but is often described by terms such as "painted in enamels", reserving "painted enamel" and "enamel" as a term for the whole object for works with a ...

  4. Basse-taille - Wikipedia

    en.wikipedia.org/wiki/Basse-taille

    The process for creating basse-taille enamel began by marking the outline of the design and the main internal outlines on the gold with a tool called a "tracer". Then the interior area was worked, either with chasing tools, hammering and punching rather than cutting, or with chisels, to form a shallow recess to hold the enamel. The more ...

  5. Overglaze decoration - Wikipedia

    en.wikipedia.org/wiki/Overglaze_decoration

    The kiln used for the second firing is usually called a muffle kiln in Europe; like other types of muffle furnaces the design isolates the objects from the flames producing the heat (with electricity this is not so important). For historical overglaze enamels the kiln was generally far smaller than that for the main firing, and produced firing ...

  6. Plique-à-jour - Wikipedia

    en.wikipedia.org/wiki/Plique-à-jour

    The piece is fired in a kiln. This process of placing and firing the enamels is repeated until all cells are completely filled. Usually it takes up to 15–20 repeats. 2. Pierced plique-à-jour ("Western plique-à-jour"): A sheet of gold or silver is pierced and sawed, cutting out a desired design. This leaves empty spaces or "cells" to fill ...

  7. Japanese pottery and porcelain - Wikipedia

    en.wikipedia.org/wiki/Japanese_pottery_and_porcelain

    In 1759 the dark red enamel pigment known as bengara became industrially available, leading to a reddish revival of the orange 1720 Ko-Imari style. In 1675, the local Nabeshima family who ruled Arita established a personal kiln to make top-quality enamelware porcelain for the upper classes in Japan, which is called Nabeshima ware.