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The Piano Sonata No. 2 was written during a time where the sonata lost its overpowering dominance. While the sonatas of Beethoven and Mozart comprised a considerable portion of their compositional output, this is not true of the next generation of composers: Franz Liszt only wrote one sonata among his dozens of instrumental compositions, Robert Schumann seven (eight if including the Fantasie ...
Although various composers in the 17th century had written keyboard pieces which they entitled "Sonata", it was only in the classical era, when the piano displaced the earlier harpsichord and sonata form rose to prominence as a principle of musical composition, that the term "piano sonata" acquired a definite meaning and a characteristic form.
'F-A-E' Sonata; Frédéric Chopin. Piano Sonata No. 2 in B ♭ minor; Piano Sonata No. 3 in B minor; Paul Dukas. Piano Sonata in E-flat minor (1900) George Enescu. Sonata No. 1 for violin and piano in D major, Op. 2 (1897) Sonata No. 2 for violin and piano in F minor, Op. 6 (1899) Edvard Grieg. Three sonatas for Violin and Piano; Franz Liszt
Sonata in B flat major, K. 358/186c (1773–74) Sonata in D major, K. 381/123a (1773–74) Fugue in G minor, K. 401/375e (1773) Sonata in F major, K. 497 (1786) Andante and Variations in G major, K. 501 (1786) Sonata in C major, K. 521 (1787) Lior Navok (1971) At the Edge of a Spiral (2004) Francis Poulenc (1899–1963) Sonata for piano four ...
The Consolations, S. 171a/172 (German: Tröstungen) are a set of six solo piano works by Franz Liszt. The compositions take the musical style of nocturnes [1] with each having its own distinctive style. [2] Each Consolation is composed in either the key of E major or D ♭ major. E major is a key regularly used by Liszt for religious themes. [3 ...
Frédéric Chopin composed three piano sonatas, two of which were published in his lifetime, one posthumously. They are considered to be among Chopin's most difficult piano compositions both musically and technically. They cover a period of time from 1828 to 1844, reflecting Chopin's style changes.
This concerto is one single, long movement, divided into six sections that are connected by transformations of several themes: . Adagio sostenuto assai The key musical idea of this concerto is first heard in the first clarinet, accompanied by no more than four other woodwinds: a sequence of two chords—an A major chord with a C ♯ on top, then a dominant seventh on F ♮.
A-flat major was the flattest major key to be used as the home key for the keyboard and piano sonatas of Domenico Scarlatti, Joseph Haydn and Ludwig van Beethoven, with each of them using the key for two sonatas: Scarlatti's K. 127 and K. 130, Haydn's Hob XVI 43 and 46, and Beethoven's Op. 26 and Op. 110, while Franz Schubert used it for one ...