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The sonata is known for its demanding violin and piano parts and its complex tonal system. Rhythm patterns are also very complex, as time signatures do not always match. [5] For example, the melody in the second movement is first played by the piano in 4 4, whereas the accompaniment has a time signature of 10 8.
Five songs for voice with violin accompaniment in quarter-tones to texts by Karel Hynek Mácha (1936, performed at the 1938 ISCM Festival in Paris) 3 Duos for 2 quarter-tone clarinets (1972) Suite for quarter-tone piano (1935-36) Milan Ristić. Duo for violin and violoncello, Op. 11 (1938) [citation needed]
Sonate-fantaisie No. 1 for violin and piano, Desesperança (Despair) (1913) Sonate-fantaisie No. 2 for violin and piano (1914) Sonata for violin and piano No. 3 (1920) Sonata for violin and piano No. 4 (1923, lost) Giovanni Battista Viotti. Six published sonatas for violin and bass, Op. 4 (about 1788), six without Opus number. (Recorded on ...
The Secret Series is a series of 'secret'-themed fantasy adventure novels written by Pseudonymous Bosch (Raphael Simon). The series centers on three middle school children: Cass, Max-Ernest, and Yo-Yoji; and their adventures as members of the Terces Society, a group that seeks to prevent a mysterious "Secret" from being discovered by the villainous organization of alchemists, the Midnight Sun.
Music for Marcel Duchamp, for prepared piano (1947) Nocturne, for violin and piano (1947) Ballet The Seasons, versions for piano and for orchestra (1947) Dream, for piano or viola and ensemble of 4 violas (1948) Experiences No. 2 for voice (1948) In a Landscape for piano or harp (1948) Sonatas and Interludes, for prepared piano (1946–48)
(b) Violin and piano (c) Unaccompanied chorus (d) Solo piano (e) Piano, four hands with voices ad lib (f) Strings with piano, harmonium or organ (g) Violin, cello, with organ or piano 1905–38 1940 1940 1940 1940 1940 1942 unknown [7] [12] Hassan: General Dance Orchestra 1923 1923 Contribution to the revised version of Delius's incidental ...
"36 Études", for violin and piano or for violin solo, Op.48 -Op.2 posthumous; dedicated to the Conservatoire de Paris-(1881) "6 Morceaux" pour violon seul suivis d'un Capriccio pour alto seul, Op.55 -Op.9 posthumous-(pub.1883) No.1 Andante; No.2 Moderato; No.3 Prélude (dedicated to violinist Léon Reynier) No.4 Tempo di minuetto; No.5 Andante
The violin has the melody while the piano plays a lyrical accompaniment figure. The second theme explores various keys and returns right back to F major as it comes to an end. The orchestra takes over shortly and the solo instruments enter again, mimicking each other in an incredibly balanced duo, closing the exposition.