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Alexandrine is a name used for several distinct types of verse line with related metrical structures, most of which are ultimately derived from the classical French alexandrine. The line's name derives from its use in the Medieval French Roman d'Alexandre of 1170, although it had already been used several decades earlier in Le Pèlerinage de ...
Hexameter is a metrical line of verses consisting of six feet (a "foot" here is the pulse, ... In the 17th century the iambic hexameter, also called alexandrine, ...
The Spenserian stanza is a fixed verse form invented by Edmund Spenser for his epic poem The Faerie Queene (1590–96). Each stanza contains nine lines in total: eight lines in iambic pentameter followed by a single 'alexandrine' line in iambic hexameter.
The last line is in fact an alexandrine—an iambic hexameter, which occurs occasionally in some iambic pentameter texts as a variant line, most commonly the final line of a passage or stanza, and has a tendency, as in this example, to break in the middle, producing a symmetry, with its even number of syllables split into two halves, that ...
Dactylic hexameter. Golden line; Iambic meter: any meter based on the iamb as its primary rhythmic unit. Alexandrine (iambic hexameter): a 12-syllable iambic line adapted from French heroic verse. Example: the last line of each stanza in “The Convergence of the Twain” by Thomas Hardy. [1] Czech alexandrine; French alexandrine; Polish ...
hexameter A line from a poem that has six feet in its meter. Another name for hexameter is "The Alexandrine". [11] hexastich hiatus high comedy higher criticism historical fiction historical linguistics historic present history play hokku In Japanese poetry, the opening stanza of a renga or renku (haikai no renga). [41] holograph Homeric ...
Czech alexandrine (in Czech český alexandrín) is a verse form found in Czech poetry of the 20th century. [1] It is a metre based on French alexandrine . [ 2 ] [ 3 ] The most important features of the pattern are number of syllables (twelve or thirteen) and a caesura after the sixth syllable.
All three involve verse forms beyond just the alexandrine, but just as the alexandrine was chief among lines, it is the chief target of these modifications. Vers libres. Vers libres (also vers libres classiques, vers mêlés, or vers irréguliers [21]) are found in a variety of minor and hybrid genres of the 17th and 18th century. [21]