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The Happy Human is an icon that has been adopted as an international symbol of secular humanism. [1] Created by Dennis Barrington, the figure was the winning design in a competition arranged by Humanists UK (formerly the British Humanist Association) in 1965. [ 1 ]
The purposes and arguments in support of secularism vary widely, ranging from assertions that it is a crucial element of modernization, or that religion and traditional values are backward and divisive, to the claim that it is the only guarantor of free religious exercise.
Calvinists remained steadfastly opposed to art in churches, and suspicious of small printed images of religious subjects, though generally fully accepting secular images in their homes. In turn, the Catholic Counter-Reformation both reacted against and responded to Protestant criticisms of art in Roman Catholicism to produce a more stringent ...
Secular Humanism is not so much a specific morality as it is a method for the explanation and discovery of rational moral principles. [35] Secular humanists affirm that with the present state of scientific knowledge, dogmatic belief in an absolutist moral or ethical system (e.g. Kantian, Islamic, Christian) is unreasonable.
Secularization has different connotations such as implying differentiation of secular from religious domains, the marginalization of religion in those domains, or it may also entail the transformation of religion as a result of its recharacterization (e.g. as a private concern, or as a non-political matter or issue).
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Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
As a secular, non-sectarian, universal notion of art arose in 19th-century Western Europe, secular artists occasionally treated Christian themes (Bouguereau, Manet). Only rarely was a Christian artist included in the historical canon (such as Rouault or Stanley Spencer).