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The lautenwerck (also spelled lautenwerk), alternatively called lute-harpsichord (lute-clavier) or keyboard lute, is a European keyboard instrument of the Baroque period. It is similar to a harpsichord , but with gut (sometimes nylon ) rather than metal strings (except for the 4-foot register on some instruments), producing a mellow tone.
The third movement, which Prokofiev himself called an "argument" [3] between soloist and orchestra, begins with an A-minor statement of the main theme in bassoons and pizzicato strings, interrupted by the piano's assertive entrance with a conflicting theme. Interplay between the piano and orchestra builds up steam, with a brief quickening of ...
The piano ends the movement with a short, violent "cadenza-esque" passage which moves into the last movement without pause. Many melodic thoughts of this movement allude to Rachmaninoff's second piano concerto, third movement, noticeably the Russian-like E ♭ major melody. The movement ends with tutti chords leading into the 3rd movement attacca.
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. [1] The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments.
Santiago de Murcia (c.1682 – c.1740, moved to Mexico, composed for Baroque guitar) Luys de Narváez (fl. 1526–49) Diego Pisador (1509/10 – after 1557) Lucas Ruiz de Ribayaz (born probably before 1650, composed for Baroque guitar) Gaspar Sanz (mid-17th century–early 18th century, composed for Baroque guitar) Enríquez de Valderrábano ...
Second exposition: The piano enters with an ascending scale motif. The structure of the exposition in the piano solo is similar to that of the orchestral exposition. Development: The piano enters, playing similar scales used in the beginning of the second exposition, this time in D major rather than C minor. The music is generally quiet.
Aram Khachaturian contributed to the repertoire with a piano concerto and a Concerto-Rhapsody. Arnold Schoenberg's Piano Concerto is a well-known example of a dodecaphonic piano concerto. Béla Bartók also wrote three piano concertos. Like their violin counterparts, they show the various stages in his musical development.
Piano Concerto No. 3 refers to the third piano concerto written by one of a number of composers: Piano Concerto No. 3 (Balada), by Leonardo Balada, 1899; Piano Concerto No. 3 (Bartók) in E major (Sz. 119, BB 127) by Béla Bartók, 1945; Piano Concerto No. 3 (Beethoven) in C minor (Op. 37), c.1800; Piano Concerto No. 3 (Chopin) (Allegro de ...