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Snake charming is the practice of appearing to hypnotize a snake (often a cobra) by playing and waving around an instrument called a pungi. A typical performance may also include handling the snakes or performing other seemingly dangerous acts, as well as other street performance staples, like juggling and sleight of hand .
S. Saints Dominic and Francis Saving the World from Christ's Anger; Self-Portrait with Halo and Snake; Serpent Cave; The Serpent Chooses Adam and Eve
In Sanskrit, a nāgá is a snake, most often depicted by the Indian cobra (Naja naja). A synonym for nāgá is phaṇin (फणिन्). There are several words for "snake" in general, and one of the very commonly used ones is sarpá (सर्प). Sometimes the word nāgá is also used generically to mean "snake". [4]
CoBrA was a milestone in the development of Tachisme and European abstract expressionism. CoBrA was perhaps the last avant-garde movement of the twentieth century. [8] According to Nathalie Aubert the group only lasted officially for three years (1948 to 1951). After that period each artist in the group developed their own individual paths. [9]
The king cobra (Ophiophagus hannah) is a species complex of snakes endemic to Asia. With an average of 3.18 to 4 m (10.4 to 13.1 ft) and a record length of 5.85 m (19.2 ft), [ 2 ] it is the world's longest venomous snake and among the heaviest.
Wadjet in the form of a winged cobra, depicted in the Tomb of Nefertari, above Anubis (Jackal-like). The Egyptian word wꜣḏ signifies blue and green. It is also the name for the well-known "Eye of the Moon". [26] Wadjet was usually depicted as an Egyptian cobra, a venomous snake common to the region. In later times, she was often depicted ...
The Golden Uraeus is of solid gold, 6.7 cm (2.6 in), black eyes of granite, a snake head of deep ultramarine lapis lazuli, the flared cobra hood of dark carnelian inlays, and inlays of turquoise. To mount it on the pharaoh's crown, two loops in the rear-supporting tail of the cobra provide the attachment points. [6] [7]
French art historian Françoise Cachin notes that Gauguin designed both Self-Portrait with Halo and Snake and its companion piece Portrait of Jacob Meyer de Haan as a caricature. [10] In his Self-Portrat , Gauguin appears against a red background with a halo above his head and apples hanging beside him as he holds a snake in his hand with what ...