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The scale degree chords of C major are: Tonic – C major; Supertonic – D minor; Mediant – E minor; Subdominant – F major; Dominant – G major; Submediant ...
In harmonic analysis and on lead sheets, a C major chord can be notated as C, CM, CΔ, or Cmaj. A major triad is represented by the integer notation {0, 4, 7}. A major triad can also be described by its intervals : the interval between the bottom and middle notes is a major third, and the interval between the middle and top notes is a minor third .
Harmonic major scale on C. The harmonic major scale may also be considered a synthetic scale, primarily used for implying and relating to various altered chords, with major and minor qualities in each tetrachord. [3] Thus the musical effect of the harmonic major scale is a sound intermediate between harmonic minor and diatonic major, and ...
1 Scale degree chords. 2 Compositions. 3 Further reading. 4 External links. Toggle the table of contents. C-sharp major. ... C-sharp major is a major scale based on C ...
Major and minor third in a major chord: major third 'M' on bottom, minor third 'm' on top. Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note.
The same major scale also has three minor chords, the supertonic chord (ii), mediant chord (iii), and submediant chord (vi), respectively. These chords stand in the same relationship to one another (in the relative minor key ) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the ...
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
For example, the secondary triad on the sixth degree [submediant] of the scale of C major, a-c-e, or rather c-e-a, is a Tonic 'parallel,' and has a Tonic significance, because the chord represents the C major 'klang,' into which the foreign note a is introduced.