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Taylor Brothers, of Sheffield, England, manufacturers of saws and blades in the 19th and 20th centuries, made a line of Willow Saws, with a medallion using part of the Willow pattern. [12] The blue Willow Pattern over the years has been used to advertise all kinds of goods and services. This forms the subject of a two-volume publication. [13]
The most exclusive kiln, making Nabeshima ware for political gifts rather than trade, made much porcelain only with blue, but also used blue heavily in its polychrome wares, where the decoration of the sides of dishes is typically only in blue. Hasami ware and Tobe ware are more popular wares mostly using in blue and white.
Arita porcelain dish with underglaze blue, with design of river, weirs, and maple leaves, c. 1650–1670s Arita Sarayama dish with overglaze polychrome enamel design of plum and fence, 1700–1730s Arita ware ( Japanese : 有田焼 , Hepburn : Arita-yaki ) is a broad term for Japanese porcelain made in the area around the town of Arita , in the ...
Earthenwares were made as early as the Jōmon period (10,500–300 BC), giving Japan one of the oldest ceramic traditions in the world. Japan is further distinguished by the unusual esteem that ceramics hold within its artistic tradition, owing to the enduring popularity of the tea ceremony. During the Azuchi-Momoyama period (1573–1603 ...
It was made in the former feudal Hirado Domain, which owned the kilns, and was responsible for establishing and directing their production. It is known mainly for its sometsuke underglaze cobalt blue and white porcelain , with the amount of blue often low, showing off the detailed modelling and the very fine white colour of the porcelain.
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.