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The style of dance is commonly known to modern scholars as the French noble style or belle danse (French, literally "beautiful dance"), however it is often referred to casually as baroque dance in spite of the existence of other theatrical and social dance styles during the baroque era.
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Allemande, from a dancing manual of c. 1769. An allemande (allemanda, almain(e), or alman(d), French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach and Handel.
This is the main list of dances. It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances. For example, ballet, ballroom dance and folk dance can be single dance styles or families of related dances. See following for categorized lists:
Historical dance (or early dance) is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance , for pleasure at themed balls or dance clubs, as historical reenactment , or for musicological or historical research.
A courante rhythm [1]. The courante, corrente, coranto and corant are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era.In a Baroque dance suite an Italian or French courante is typically paired with a preceding allemande, making it the second movement of the suite or the third if there is a prelude.
The sarabande was used throughout much of classical music, especially in the baroque era: for example, the music of French baroque composer Jean-Marie Leclair (born 1697): Sonata for 2 violins in D major Op.12 no.3; and Buxtehude's Trio Sonata in E minor Op.1/7 BuxWV 258, an extraordinary work with this sarabande style, most likely influencing ...
The architects of the Spanish Baroque had an effect far beyond Spain; their work was highly influential in the churches built in the Spanish colonies in Latin America and the Philippines. The church built by the Jesuits for the College of San Francisco Javier in Tepotzotlán, with its ornate Baroque façade and tower, is a good example. [40]