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"Pipa xing" (Chinese: 琵琶行), variously translated as "Song of the Pipa" or "Ballad of the Lute", is a Tang dynasty poem composed in 816 by the Chinese poet Bai Juyi, [1] one of the greatest poets in Chinese history. [2] [3] The poem contains a description of a pipa performance during a chance encounter with a performer near the Yangtze ...
During the Song dynasty, pipa fell from favour at the imperial court, perhaps a result of the influence of neo-Confucian nativism as pipa had foreign associations. [26] However, it continued to be played as a folk instrument that also gained the interest of the literati. [22] The pipa underwent a number of changes over the centuries.
"Ambush from Ten Sides" (Chinese: 十 面 埋伏; pinyin: shí miàn mái fú) is a classical piece written for the pipa. "Ambush" is written in the "Wu" or martial style, and is about the Battle of Gaixia in 202 BC during which General Xiang Yu was defeated by Liu Bang.
Bai Juyi statue in front of Pipa Pavilion on the Xunyang River at Jiujiang, where he wrote his "The Song of the Pipa Player" poem. Another of Bai's famous poems is "The Song of the Pipa Player". Like Du Fu, Bai had a strong sense of social responsibility and is well known for his satirical poems, such as The Elderly Charcoal Seller. Also he ...
Dance of the Yi People (simplified: 彝 族 舞 曲; traditional: 彞 族 舞 曲; pinyin: Yízú Wǔqǔ; sometimes also called Dance of the Yi Tribe or Yi Dance) is one of the most popular solo compositions for the pipa, a four-stringed pear-shaped fretted lute used as one of the primary traditional musical instruments of China.
Many followed Alexandra Orr, who wrote, "Something in [Pippa's] song strikes [Sebald's] conscience like a thunderbolt, and its reviving force awakens Ottima's also: both are spiritually saved", [4] but J. M. Purcell disagreed, arguing "that Pippa's song has recalled Sebald—but not Ottima, however—to his moral senses; and in his revulsion ...
A second erhu is sometimes used, known as fanhu (反胡) or fan erhu (反二胡), meaning "counter fiddle" or "cross fiddle"; it has thicker strings tuned a minor third (B3, F4#) or fourth (A3, E4) below the leading erhu; Pipa – pear-shaped lute with four strings, uses standard tuning of A2, D3, E3, A3. Although G2, C3, D3, G3, a whole tone ...
Due to its coarse language, rough prosody, and unsophisticated literary style, Nanxi was considered a low art form during the Song and Yuan dynasties. However, its status was elevated with Tale of the Pipa written by Gao Ming, a play of better literary quality and more complex structure.