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Shamisen are classified according to size and genre. There are three basic sizes: hosozao, chuzao and futozao. Examples of shamisen genres include nagauta, jiuta, min'yo, kouta, hauta, shinnai, tokiwazu, kiyomoto, gidayu and tsugaru. Shamisen used for traditional genres of Japanese music, such as jiuta, kouta, and nagauta, adhere to very strict ...
The heike shamisen is usually tuned in ni agari," which means "raised two" or "raised second," which is a reference to the fact that the pitch of the second string is raised from a base tuning called honchoshi." Normally, the shamisen is tuned so that the first and third strings are tuned to an octave, and the second string is tuned to a fourth ...
The major difference between a sanshin and a gottan is that the body of a sanshin tends to be made of a hollowed wooden cavity covered with a type of membrane, whereas the whole of a gottan – body, neck, and all – is made up of solid wood, usually of a single type, often Japanese cedar.
In early modern Japanese music which involved the use of the shamisen, one feature was for a shamisen player to sing their own accompaniment. Jiuta flourished in the Kyoto and Osaka regions, and thus was called kamigatauta (上方唄, "song of Kamigata") or hōshiuta (法師唄, "song of monks") played by groups of blind men (see tōdōza).
Hiromitsu Agatsuma (上妻 宏光 Agatsuma Hiromitsu, born July 27, 1973) is a Japanese shamisen artist who plays the Tsugaru-jamisen, a larger shamisen with thicker strings than those used for most other styles. He was born in Hitachi, Ibaraki Prefecture. [2] [3]
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Tsugaru-jamisen (津軽三味線, つがるじゃみせん) or Tsugaru-shamisen (つがるしゃみせん) refers to both the Japanese genre of shamisen music originating from Tsugaru Peninsula in present-day Aomori Prefecture and the instrument it is performed with. It is performed throughout Japan, though associations with the Tsugaru remain ...
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