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West African mythology is the body of myths of the people of West Africa. It consists of tales of various deities, beings, legendary creatures , heroes and folktales from various ethnic groups. Some of these myths traveled across the Atlantic during the period of the Trans-Atlantic slave trade to become part of Caribbean , African-American and ...
View history; General What links here; Related changes; Upload file; ... Folklore of Africa. For ancient folklore and myths of Africa, see Category:African mythology.
It also covers spirits as well as deities found within the African religions—which is mostly derived from traditional African religions. Additionally, prominent mythic figures including heroes and legendary creatures may also be included in this list.
Mami Wata, Mammy Water, or similar is a mermaid, water spirit, and/or goddess in the folklore of parts of Western Africa, Eastern Africa, and Southern Africa. Historically, scholars trace her origins to early encounters between Europeans and West Africans in the 15th century, where Mami Wata developed from depictions of European mermaids.
Religion and mythology differ, but have overlapping aspects. Many English speakers understand the terms "myth" and "mythology" to mean fictitious or imaginary . However, according to many dictionary definitions, these terms can also mean a traditional story or narrative that embodies the belief or beliefs of a group of people , and this ...
For African slaves, folk tales were a way of remembering their past and keeping their culture alive. How African American folklore saved the cultural memory and history of slaves Skip to main content
Anansi shares similarities with the trickster figure of Br'er Rabbit, who originated from the folklore of the Bantu-speaking peoples of south and central Africa. Enslaved Africans brought the Br'er Rabbit tales to the New World, which, like the Anansi stories, depict a physically small and vulnerable creature using his cunning intelligence to ...
African folklore has always been a prime influence on pop culture, but its recognition is long overdue, writes Elizabeth Agyemang.