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Akwete Cloth and Its Motifs, Marian Davis, African Arts Vol. 7, No. 3 (Spring, 1974), pp. 22–25 Published by: UCLA James S. Coleman African Studies Center Akwete cloth: An Igbo textile art Vanguard Newspaper published July 26, 2012 by McPhilips Nwachukwu and Appollos Oziogu Ibebabuchi
African textiles also have significance as historical documents, offering perspectives in cases where written historical accounts are unavailable: "History in Africa may be read, told and recorded in cloth." [33] Western African demand for cotton textiles fueled early South-South exchange during colonial times. [34]
Aso Oke sewn into Agbada outfit and Fila Traditional Yoruba women's garment. Aso oke fabric, (Yoruba: aṣọ òkè, pronounced ah-SHAW-okay) is a hand-woven cloth that originated from the Yoruba people of Yorubaland within today's Nigeria, Benin and Togo.
African waxprints, West Africa Waxprints sold in a shop in West Africa Lady selling colourful waxprint fabrics in Togo "Afrika im Gewand - Textile Kreationen in bunter Vielfalt", African Textiles Exhibition Museum der Völker 2016. African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa.
The kanga (in some areas known as leso) is a colourful fabric similar to kitenge, but lighter, worn by women and occasionally by men throughout the African Great Lakes region. It is a piece of printed cotton fabric , about 1.5 m by 1 m, often with a border along all four sides (called pindo in Swahili), and a central part ( mji ) which differs ...
The transportation and sale of mitumba is responsible for many jobs both in wealthy donor companies and in the African countries where mitumba is bought and sold. Critics of the mitumba trade note that the influx of cheap clothing is responsible for the decline of local textile industries. [ 1 ]