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Yo Mama's Last Supper, 1996. Yo Mama's Last Supper is a work of art, made in 1996 by Jamaican-American artist Renée Cox.It is a large photographic montage of five panels, each 31 inches square, depicting photographs of 11 black men, a white Judas and a naked black woman (the artist's self-portrait) [1] posed in imitation of Leonardo da Vinci's 1490s painting The Last Supper.
Original file (3,500 × 3,197 pixels, file size: 4.75 MB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
The central portion is an image based on Leonardo da Vinci’s 15th-century mural Last Supper. Edelson replaced the faces of Christ's disciples with cut-out photographs of American women artists. She surrounded the central image with additional photographs of American women artists. The work is in the collection of the Museum of Modern Art. [1]
English: ‘Dublin’s Last Supper’ (2004) is a large-scale photographic work (220 x 930 cm) depicting an modern-day re-enactment of Leonardo da Vinci's ‘The Last Supper’ (ca. 1520), with an ‘Irish twist’. Fabricated in Belgium, the photograph was screen-printed onto vitreous enamel, across nine connecting steel panels.
One of England's oldest cathedrals is showing its support for Black Lives Matter by displaying a painting of the Last Supper in which Jesus is depicted as a Black man. St. Albans Cathedral has ...
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The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term.