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"He's a Rebel" is a song written by Gene Pitney that was originally recorded by Vikki Carr and by the girl group the Blossoms. Produced by Phil Spector , the Blossoms' version was issued as a single credited to the Crystals , which topped the Billboard Hot 100 chart in November 1962.
Soon after "He Hit Me" flopped, Phil Spector began recording singer Darlene Love and her group the Blossoms.The Crystals were not able to travel from New York to Los Angeles fast enough to suit the LA-based Spector, [12] [13] who wanted to quickly record writer Gene Pitney's "He's a Rebel" before Vikki Carr could release her version on Liberty Records. [14]
He's a Rebel is the second studio album by girl group the Crystals, and also the second LP in the Philles catalogue. It was released in February 1963, as an effort to take an advantage of the monster hit "He's a Rebel" (written by Gene Pitney), which went to number 1 US in 1962.
She sang lead on "He's a Rebel" and "He's Sure the Boy I Love," which were credited to the Crystals. She was soon a highly sought-after vocalist and worked with many rock and soul musicians of the 1960s, including Sam Cooke, Dionne Warwick, Bill Medley, the Beach Boys, Elvis Presley, Tom Jones and Sonny and Cher. As an actress, Love performed ...
1963: He's a Rebel (US #131) Compilation albums. 1963: The Crystals Sing the Greatest Hits, Volume 1; 1986: He's a Rebel - The Crystals featuring La La Brooks (Jango Records) 1992: The Best of The Crystals; 2011: Da Doo Ron Ron: The Very Best of The Crystals; Singles. 1963: "Da Doo Ron Ron" (US #3, UK #5 and UK #15 on re-issue in 1974)
Billy Crystal can boast to a number of achievements over the course of his storied Hollywood career: He's the star of hit '90s comedy City Slickers; one of the best Oscar hosts ever; and the ...
Producer Phil Spector had learned that Vikki Carr was soon to record "He's a Rebel" for Liberty Records as her debut single, and decided he had to rush his own version to stores. Since the Crystals (his biggest girl group at the time) were touring on the east coast at the time, the Blossoms were instead brought in to record the track.
This power-struggle came to a head in 1983, when Idol and his label, Chrysalis Records, disagreed about the cover art for his breakthrough sophomore album, Rebel Yell.So, in order to get his way ...