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The endless knot or eternal knot is a symbolic knot and one of the Eight Auspicious Symbols. It is an important symbol in Hinduism, Jainism and Buddhism. It is an important cultural marker in places significantly influenced by Tibetan Buddhism such as Tibet, Mongolia, Tuva, Kalmykia, and Buryatia. It is also found in Celtic, Kazakh and Chinese ...
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Create a loop in the rope. Then pull a bight of the working part through the loop, creating an overhand noose knot. Pull another bight of the working part through the loop of the previous stitch. Tighten the stitch to the desired degree by pulling on both sides of the loop. Adjust the loop by pulling on the working end to keep it a reasonable size.
It was long crafted by sailors, especially in elaborate or ornamental knotting forms, to cover anything from knife handles to bottles to parts of ships. Cavandoli macramé is one variety that is used to form geometric and free-form patterns like weaving. The Cavandoli style is done mainly in a single knot, the double half-hitch knot.
Early Arab swords were all straight and mostly double edged (similar to European arming swords blades). Although Turko-Mongol sabres have been found among a Turkic slave of the Samanid Empire, straight swords continued to be more popular outside of certain groups (such as the Seljuks) as that was the traditional style of sword the Muhammad wore. [8]
Wiseman points out that by grinding three different angles in three separate regions along the Parang blade—a narrow angle at the tip for skinning and fine cutting work; a wide, chopping blade angle along the bow in the blade for axe work, and an all-purpose hunting/survival knife angle along the edge nearest the handle for general purpose ...
The slip knot is a stopper knot which is easily undone by pulling the tail (working end). The slip knot is related to the running knot , which will release when the standing end is pulled. Both knots are identical and are composed of a slipped overhand knot , where a bight allows the knot to be released by pulling on an end; the working end for ...
Nikolay Przhevalsky describes the almas, as related to him under the name kung-guressu ("man-beast"), as follows: "We were told that it had a flat face like that of a human being, and that it often walked on two legs, that its body was covered with a thick black fur, and its feet armed with enormous claws; that its strength was terrible, and that not only were hunters afraid of attacking it ...