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Textile fibers, threads, yarns and fabrics are measured in a multiplicity of units.. A fiber, a single filament of natural material, such as cotton, linen or wool, or artificial material such as nylon, polyester, metal or mineral fiber, or human-made cellulosic fibre like viscose, Modal, Lyocell or other rayon fiber is measured in terms of linear mass density, the weight of a given length of ...
Warp and weft in plain weaving A satin weave, common for silk, in which each warp thread floats over 15 weft threads A 3/1 twill, as used in denim. Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth.
The type of yarn material (e.g. cotton, polyester, linen), the thickness of the yarn, and the type of weaving machinery will determine the sizing recipe. Often, the sizing liquor contain mutton tallow. Mutton tallow is an animal fat, used to improve abrasion resistance of yarns during weaving.
In the manufacture of cloth, warp and weft are the two basic components in weaving to transform thread and yarn into textile fabrics. The vertical warp yarns are held stationary in tension on a loom (frame) while the horizontal weft (also called the woof) is drawn through (inserted over and under) the warp thread. [1]
An example of the thread crossing pattern in a plain weave fabric Structure of plain-woven fabric Structure of basketweave fabric Warp and weft in a plain tabby weave, showing the reversals of the weft.
The shed, the triangular aperture on the far right, shown from the back of a table loom Passing the shuttle through the shed The shed shown in tablet weaving. In weaving, the shed is the temporary separation between upper and lower warp yarns through which the weft is woven. The shed is created to make it easy to interlace the weft into the ...
To use a temple, the length is first adjusted so that it matches the total width (or spread) of warp threads in the reed. The prongs are then inserted into the fabric, on each side, at the very edges of the cloth. The temple must be moved frequently to keep it close to the fell of the fabric, where the weaving is taking place. [2]
Ada Dietz (1882 – 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines weaving patterns based on the expansion of multivariate polynomials. [9] J. C. P. Miller used the Rule 90 cellular automaton to design tapestries depicting both trees and abstract patterns of triangles. [10]