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Kenzo Tange The Shizuoka Press and Broadcasting Center is a building located in Ginza , Tokyo , Japan. Built in 1967, it is considered to be the first realization of Kenzo Tange 's Metabolist movement, which called for a new urban typology that could self-perpetuate in an organic, "metabolic" way. [ 1 ]
Café de Hansen, Antiguo Hansen, Lo de Hansen, Restaurant del Parque 3 de Febrero or Tarana was a café in Buenos Aires, Argentina, and was one of the birthplaces of tango. Because of its monumental impact on the development and dissemination of the music, Café Hansen is often referenced in some of the most popular tango songs in Argentina. [1 ...
Kenzō Tange (丹下 健三, Tange Kenzō, 4 September 1913 – 22 March 2005) [1] was a Japanese architect and winner of the 1987 Pritzker Prize for Architecture. He was one of the most significant architects of the 20th century, combining traditional Japanese styles with modernism , and designed major buildings on five continents.
New American cuisine, also known as Modern American cuisine or Contemporary American cuisine, is the wave of modernized cooking predominantly served at upscale fine dining restaurants in the United States, originating in the 1980s. [1]
Visit the Eiffel Tower and the Louvre, but make sure to also go off the beaten path to experience the French capital's food, culture, and art.
As a pianist, his repertoire has four centers: classical music from the late Romanticism (such as Franz Liszt or Alexander Scriabin), contemporary classical (John Cage, Arnold Schoenberg), Argentine composers (including tango; Ástor Piazzolla), and his own compositions – both as soloist and in different chamber music groups, notably:
Tange Sazen, fictional swordsman from Japanese literature and cinema; Geography: Tange Bolaghi or Tangeh Bolaghi, archaeologically significant valley in Iran with 130 ancient settlements; Tange Promontory, ice-covered peninsula just west of Casey Bay on the coast of Enderby Land; Other: Tange International Co., manufacturer of bicycle frame tubing
A jazz kissa's book collection containing copies of Swing Journal. In 1950s Japan, live jazz performances were rare as were locally produced jazz records. [13] Instead, records had to be imported from America at prohibitively expensive prices that, while too costly for most individuals, jazz kissa would pay.