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Born Mariane Tromlitz in Greiz, she was the first child of George Christian Gotthold Tromlitz (1765–1825), a church musician, music teacher and composer, and his wife Christiana Friederica (née Carl) (1766–1830). Her given name is often reported as Marianne. Her siblings were Georg Wilhelm (1799–1801) and Emilie (1802–1885).
Marianne made her first major appearance in the French spotlight on a medal in July 1789, celebrating the storming of the Bastille and other early events of the French Revolution. From this time until September 1792, the image of Marianne was overshadowed by other figures such as Mercury and Minerva. [5]
Mariana "Marianne" Maximiliana Christiana Carolina Lovisa Ehrenström, née Pollet (9 December 1773 – 4 January 1867), was a Swedish writer, singer, painter, pianist, culture personality, memoir writer and lady-in-waiting. She was a member of the Academy of the Free Arts and an honorary member of the Royal Swedish Academy of Music.
Maria Anna Sabina (von) Genzinger (6 November 1754 [1] – 26 January 1793), called Marianne, was a Viennese amateur musician, the mother of six children, and a friend of the composer Joseph Haydn. Her correspondence with Haydn preserves a personal view of the composer not available from any other biographical source.
The concept of liberty has frequently been represented by personifications, often loosely shown as a female classical goddess. [1] Examples include Marianne, the national personification of the French Republic and its values of Liberté, Égalité, Fraternité, and the female Liberty portrayed in artworks, on United States coins beginning in 1793, and many other depictions.
Claude Balbastre – Marche des Marseillois et l'air Ça-ira; Ludwig van Beethoven "An Laura", for voice and piano, WoO 112 "An Minna", for voice and piano, WoO 115; Rondino for oboes, clarinets, horns, and bassoons in E-flat major, WoO 25
In 1997, the actor Marianne Jean-Baptiste became the first Black British woman to receive an Oscar nomination, for Mike Leigh’s suburban gut punch Secrets & Lies.She was heartbreaking in it, as ...
Marianne Ehrmann sought their employees herself, among them David Friedrich Gräter who became a close friend, Friederike Brun and Gottlieb Konrad Pfeffel. Editing was solely in the hands of Marianne Ehrmann, but her disease delayed the publication, so that the first two volumes comprised 70% foreign contributions, and were delayed.