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A 1903 fashion plate of an Ulster, showing how the forearms can be brought under the cape. The Ulster is a Victorian working daytime overcoat, with a cape and sleeves. The Ulster is distinguished from the Inverness coat by the length of the cape. In the Ulster, the cape only reaches just past the elbows, allowing free movement of the forearms.
The gathered hood of a cardinal cloak. The exact definition of the garment is uncertain because fashion terms of the day did not always have a fixed meaning. For example, the cardinal cloak is said to have taken its name from its cardinal red color but a 1762 runaway advertisement in the Pennsylvania Gazette mentioned a black silk cardinal ...
Opera cloaks are made of quality materials such as wool or cashmere, velvet and satin. Ladies may wear a long (over the shoulders or to ankles) cloak usually called a cape, or a full-length cloak. Gentlemen wear an ankle-length or full-length cloak. Formal cloaks often have expensive, colored linings and trimmings such as silk, satin, velvet ...
The Groves Classification is a numbering system to enable the shape of any academic gown or hood to be easily described and identified. It was devised by Nicholas Groves to establish a common terminology for hoods and gowns to remedy the situation of individual universities using differing terms to describe the same item.
Originally, mantles and the religious cope, coming from similar origins as a cloak worn by all classes, were indistinguishable, except that the religious garment may have a flap representing a hood, and the mantle may be fastened at the shoulder instead of the front. Therefore, while the cope was used by all clerics in certain religious ...
An opera cloak is an ankle- or floor-length loose-fitting cloak of dark, luxurious fabric such as velvet, brocade or satin, to be worn over an evening gown for a woman or a man's white tie or black tie tuxedo, named after its typical designation for the opera. [1]
Gable hood with pinned-up lappets and a hanging veil. Mary, Lady Guildford, by Hans Holbein the Younger, 1527.. A gable hood, English hood or gable headdress is an English woman's headdress of c. 1500–1550, so called because its pointed shape resembles the architectural feature of the same name.
The Cloak of Conscience is the culmination of numerous depictions of a faceless figure hooded and shrouded in cloth. The first appeared in Chromy's painting 'To Be Or Not To Be', in 1980, which in turn had been inspired by the play Jedermann by Hugo von Hofmannsthal and Don Giovanni by Mozart . [ 4 ]