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"Sweet Emotion" is a song by the American rock band Aerosmith, released in 1975 on their third studio album Toys in the Attic by Columbia Records. [1] It was released as a single on May 19, 1975. [ 2 ]
Toys in the Attic is the third studio album by American rock band Aerosmith, released on April 8, 1975, by Columbia Records. [1] Its first single, "Sweet Emotion", was released on May 19 and the original version of "Walk This Way" followed on August 28 in the same year. [2]
Twenty-one of Aerosmith's songs have reached the top 40 of the Billboard Hot 100 and the band has long been a stalwart of the Mainstream Rock Tracks chart, achieving nine number-one hits on that chart to date. An additional 28 of the band's songs have reached the top 40 on various charts worldwide.
In coordination with the release of Pandora's Box, the band's 1975 hit "Sweet Emotion" was re-mixed and re-released as a single, and a music video was created to promote the single. Also in 1991, the band performed their 1973 single "Dream On" with Michael Kamen 's orchestra for MTV's 10th Anniversary special; this performance was used as the ...
Devil's Got a New Disguise: The Very Best of Aerosmith: 2006 "Don't Get Mad, Get Even" Joe Perry Steven Tyler Pump: 1989 "Don't Stop" Joe Perry Steven Tyler Jim Vallance B-side to "Livin' on the Edge" 1993 "Downtown Charlie" Aerosmith Pandora's Box: 1991 "Draw the Line" Joe Perry Steven Tyler Draw the Line: 1977 "Dream On" Steven Tyler ...
MTV Video Music Award for Best Rock Video "Dream On" (with orchestra; recorded at MTV 10th anniversary special) August 1991: Marty Callner-- "Sweet Emotion" November 21, 1991: Marty Callner--[2] "Livin' on the Edge" April 1993: Marty Callner: Edward Furlong: MTV Video Music Award - Viewer's Choice "Eat the Rich" May 1993: Greg Vernon: John ...
Big-lipped, shimmery and lascivious –albeit with a wink and a nod – Tyler’s bluesy, passionate vocals imbue classic Aerosmith anthems like “Sweet Emotion” and “Dream On” with ...
Although the song's lyrics are written in the form of an "extended sexual metaphor", they have been cited as part of a trend toward more "open sexuality" in rhythm and blues music of the early 1950s. [28] In 2014, Salon rated Aerosmith's "Big Ten Inch Record'" as one of the 19 greatest double entendre songs of all time. [29]