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Czarina Mirani: Spin Slide and Jack: A History of House Dancing on 5 Magazine, 2005. Makkada B. Selah: Powder Burns – Essay on house dance Archived 2011-05-24 at the Wayback Machine in Village Voice, 2007. Barry Walters: Burning Down the House, in SPIN magazine, November 1986. Phil Cheeseman: "The History Of House", on DJ Magazine, December 2003.
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
One of the primary elements in house dancing is "the jack" or "jacking" — a style created in the early days of Chicago house that left its trace in numerous record titles such as "Time to Jack" by Chip E. from the "Jack Trax" EP (1985), "Jack’n the House" (1985) by Farley "Jackmaster" Funk (1985) or "Jack Your Body" by Steve "Silk" Hurley ...
Ahead of Beyoncé's "Renaissance" album release, read a brief history of house music, a genre pioneered by Frankie Knuckles and Ron Hardy.
[citation needed] DJ History reports: "The style of music now known as house was so named after a shortened version of his [Knuckles'] club." [2] Located at 206 South Jefferson Street in Chicago, [3] the club was made out of a three-story former factory. The Warehouse drew in around five hundred patrons from midnight Saturday to midday Sunday.
Deep house is a subgenre of house music [1] [3] [4] that originated in the 1980s, initially fusing elements of Chicago house with the lush chords of 1980s jazz-funk and touches of soul music. Its origins are attributed to the early recordings of Larry Heard (aka Mr. Fingers), including his influential track " Can You Feel It ".
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago.The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, [1] an innovation attributed to Chicago artists Phuture and Sleezy D circa 1986.
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