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The discipline of waking up to record a dream in a diary sometimes leads to a false awakening where the dreamer records the previous dream while still in a dream. Some dream diarists report writing down the same dream one or two times in a dream before actually waking up, and recording it in a physical dream diary.
A false awakening may occur following a dream or following a lucid dream (one in which the dreamer has been aware of dreaming). Particularly, if the false awakening follows a lucid dream, the false awakening may turn into a "pre-lucid dream", [2] that is, one in which the dreamer may start to wonder if they are really awake and may or may not come to the correct conclusion.
History is a social resource that contributes to shaping national identity, culture, and the public memory. Through the study of history, people are imbued with a particular cultural identity; therefore, by negatively revising history, the negationist can craft a specific, ideological identity.
The wiki page of False Awakenings gives a brief summary of what False Awakenings are and how they are followed by a lucid dream. I find that the Pop Culture section helps the reader fully understand that the dreamer dreams they are awake and thinks they are carrying out their normal routine until they actually awake up and realize they were ...
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Scott was born in Oxton, Cheshire to Henry Scott (1843-1918), shipper and scholar of Greek and Hebrew, and Mary (née Griffiths), an amateur pianist of Welsh origin. [1] He showed a talent for music from an early age and was sent to the Hoch Conservatory in Frankfurt, Germany to study piano in 1892 at age 12.
Stewart Pollens is an expert on historical musical instruments. His work includes restoration, analysis, and scholarly publication; and it embraces keyboard instruments (the harpsichord and fortepiano) as well as historical stringed instruments such as the violin and cello.
Philip Aegidius Walshe (actually Montgomery Carmichael), The Life of John William Walshe, F.S.A., London, Burns & Oates, (1901); New York, E. P. Dutton (1902). This book was presented as a son’s story of his father’s life in Italy as “a profound mystic and student of everything relating to St. Francis of Assisi,” but the son, the father and the memoir were all invented by Montgomery ...