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In Blackwater Woods is a free verse poem written by Mary Oliver (1935–2019). The poem was first published in 1983 in her collection American Primitive , which won the 1984 Pulitzer Prize . [ 1 ] The poem, like much of Oliver's work, uses imagery of nature to make a statement about human experience.
Mary Jane Oliver (September 10, 1935 – January 17, 2019) was an American poet who won the National Book Award and the Pulitzer Prize. She found inspiration for her work in nature and had a lifelong habit of solitary walks in the wild.
Walker Art Center, Gift of the T.B. Walker Foundation and the Gilbert M. Walker Memorial Fund, 1942.1 Blue Horses (German: Die grossen blauen Pferde ) ( The Large Blue Horses ) is a 1911 painting by German painter and printmaker Franz Marc (1880–1916).
Poppies (Mary Oliver poem) This page was last edited on 1 February 2021, at 22:50 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
The Hunters in the Snow (Dutch: Jagers in de Sneeuw), also known as The Return of the Hunters, is a 1565 oil-on-wood painting by Pieter Bruegel the Elder.The Northern Renaissance work is one of a series of works, five of which still survive, that depict different times of the year.
The prime version of The Shortening Winter's Day is near a Close (Lady Lever Art Gallery) was exhibited at the Royal Academy in 1903. [7]The 82 x 120 cm version does not have a definitive date it was painted, but it is probable it was soon after the exhibition of 1903 and likely to have been painted to satisfy a patron that had been disappointed not to be able to purchase the exhibited ...
The frame above the painting displays its title, "Spring", and the bottom of the frame has four lines of poetry from Algernon Charles Swinburne's 1865 poem "Dedication" written in honour of the painter Edward Burne-Jones: "In a land of clear colours and stories, / In a region of shadowless hours, / Where earth has a garment of glories / And a ...
Snow, Moon and Flowers (雪月花, setsu-getsu-ka or setsu gekka) is a Japanese expression and theme in art and design originating from a poem by Tang dynasty poet Bai Juyi. [1] It became popular in the late Edo period. It is a Japanese metonym for beautiful sceneries in nature.