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Television broadcasting in Myanmar began in 1979 as a test trial in Yangon. [1] The first television service BBS was launched on 3 June 1980, [ 2 ] followed by regular service in 1981. [ 3 ] Most television networks in the country are broadcast from Yangon.
Frequency (Burmese: ကြိမ်နှုန်း) is a 2019 Burmese horror film, directed by Khant Man Htal starring Eaindra Kyaw Zin and Htun Eaindra Bo. The film, produced by SY Production premiered Myanmar on July 18, 2019.
Short film Co-production with France 2022: Midwives: Hnin Ei Hlaing: Documentary: Myanmar Diaries: Myanmar Film Collective: Collage film: Co-production with the Netherlands and Norway: Way Ma Nay Chin Bu: Nyunt Myanmar Nyi Nyi Aung: Lu Min, Nay Min, Shwe Hmone Yati: Drama: Shot in 2017 [10] The Butterfly Trap: Wyne (Own Creator)
Fortune TV is a Burmese digital Free-to-Air TV channel that run under MRTV's Multiplex Playout System based in Yangon, Myanmar. [1] Fortune TV is operated by Fortune Group. They have signed a cooperation agreement with state-run Myanmar Radio and Television (MRTV) to operate as content providers for digital free-to-air TV channels in a multi-playout system of MRTV on 17 February 2018.
Pages in category "Films set in Myanmar" ... (1956 film) The Burmese Harp (1985 film) C. China Girl (1942 film) Code Name: Wild Geese; E. En Magan (1945 film) Escape ...
Channel 7 is a Burmese free-to-air television channel jointly operated by MRTV-4. It is owned by Forever Group. [1] It launched in May 2012, [2] the channel broadcasts between 7 am and 11 pm. [1] Now, it is broadcasting in 24 hours. [1] Channel 7 also broadcasts foreign series with Burmese subtitles and dubbing. [3]
A Swiss national and 13 Myanmar citizens were arrested by the military junta on August 8 for working on a film authorities say harms Buddhist culture and tradition, state-funded media has reported.
After World War II, Burmese cinema continued to address political themes.Many of the films produced in the early Cold War era had a strong propaganda element to them. The film Palè Myetyay (Tear of Pearl), produced in the wake of the Kuomintang invasion of Burma in the 1950s, highlighted the importance of the armed forces or Tatmadaw to the country.