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Turkish March may refer to the following specific pieces of classical music: Turkish Rondo, or Rondo alla turca, the third movement from Wolfgang Amadeus Mozart's Piano Sonata No. 11, K. 331 (1783) Turkish March (Beethoven), from Ludwig van Beethoven's Six Variations, Op. 76 (1809), which he re-used as the fourth movement in the 1811 incidental ...
Mozart himself titled the rondo "Alla turca". [5] It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time. [6]Section A: This section, in A minor, consists of a rising sixteenth-note melody followed by a falling eighth note melody over a staccato eighth-note accompaniment.
The Turkish March (Marcia alla turca) is a classical march theme by Ludwig van Beethoven.It was written for the 1809 Six Variations, Op. 76, and in the Turkish style.Later, in 1811, Beethoven included the Turkish March in a play by August von Kotzebue called The Ruins of Athens (Op. 113), premiering in Budapest, Hungary, in 1812.
The music was written to accompany the play of the same name by August von Kotzebue, for the dedication of the new Deutsches Theater Pest in Pest, Hungary. [1] Perhaps the best-known music from The Ruins of Athens is the Turkish March. Beethoven had used this material before in his Six Variations on an Original Theme, Op. 76 (1809).
A specialized form of the typical American march music is the circus march, or screamer, typified by the marches of Henry Fillmore and Karl King. These marches are performed at a significantly faster tempo (140 to 200 beats per minute) and generally have an abundance of runs, fanfares, and other showy features.
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Plevna March or Osman Pasha March was written in order to commemorate Osman Pasha, who led Ottoman troops in the Siege of Plevna. [1] History
This symphonic march lasts approximately five minutes. It is a very conventional work by Ippolitov-Ivanov, and therefore, all harmonies and rhythms are conventional. He wrote this composition as a part of his own research for Turkish, Uzbek and Kazakh folk music in its later years, and two years after composing his Turkish Fragments, which, indeed, recreate the same atmosphere with Turkish ...