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Like many art-historical terms, "Ashcan art" has sometimes been applied to so many different artists that its meaning has become diluted. The artists of the Ashcan School rebelled against both American Impressionism and academic realism, the two most respected and commercially successful styles in the US at the end of the 19th century and the ...
American realism was a movement in art, music and literature that depicted contemporary social realities and the lives and everyday activities of ordinary people. The movement began in literature in the mid-19th century, and became an important tendency in visual art in the early 20th century.
Examples include the socialist realism style associated with socialist states, and sometimes the similar art style associated with fascism. Its characteristics are realism and the depiction of figures as ideal types or symbols, often with explicit rejection of modernism in art (as "bourgeois" or "degenerate").
While the movement's characteristics vary from nation to nation, it almost always uses a form of descriptive or critical realism. [1] The term is sometimes more narrowly used for an art movement that flourished in the interwar period as a reaction to the hardships and problems suffered by common people after the Great Crash. In order to make ...
Hernando Ruiz Ocampo was a leading radical modernist artist in the Philippines.He was a member of the Saturday Group of artists (also known as the Taza de Oro Group), and was one of the pre-war Thirteen Moderns, a group of modernist artists founded by Victorio C. Edades in 1938.
Moyo Okediji is an art historian, painter and artist whose works contains a number of icons and signifiers of the deep aspects of Yoruba culture. [1] He was part of Ona, an art movement at Obafemi Awolowo University .
He married Geraldine Elizabeth Bone on September 7, 1929, and they had two children: a son, Harvey Jr., and a daughter, Harriet. His classic text, first published in 1929, was The Gold Coast and the Slum, a book based on his PhD thesis completed under the direction of Robert E. Park at the University of Chicago.
Some of these movements (such as Dada and Beat) were defined by the members themselves, while other terms (for example, the metaphysical poets) emerged decades or centuries after the periods in question. Further, some movements are well defined and distinct, while others, like expressionism, are nebulous and overlap with other definitions.