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The seven bowls (Greek: φιάλας, phialas (acc. pl.), nom. sing. φιάλη, phialē; also translated as cups or vials) are a set of plagues mentioned in Revelation 16. [1] They are recorded as apocalyptic events that were seen in the vision of the Revelation of Jesus Christ, by John of Patmos. Seven angels are given seven bowls of God's ...
The Book of Revelation or Book of the Apocalypse is the final book of the New Testament (and therefore the final book of the Christian Bible). Written in Koine Greek, its title is derived from the first word of the text: apokalypsis, meaning 'unveiling' or 'revelation'. The Book of Revelation is the only apocalyptic book in the New Testament canon.
The opening of the seals of the document occurs in Rev Ch 5–8 and marks the Second Coming of the Christ and the beginning of The Apocalypse/Revelation. Upon the Lamb of God / Lion of Judah opening a seal on the cover of the book/scroll, a judgment is released or an apocalyptic event occurs.
Revelation 16 is the sixteenth chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle , [ 1 ] [ 2 ] but the precise identity of the author remains a point of academic debate. [ 3 ]
The Four Horsemen of the Apocalypse [1] are figures in the Book of Revelation in the New Testament of the Bible, a piece of apocalypse literature attributed to John of Patmos, and generally regarded as dating to about AD 95. Similar allusions are contained in the Old Testament books of Ezekiel and Zechariah, written about
Since the 3rd century, many exegetes have believed that the Book of Revelation presents the same issues multiple times under different symbols. By the end of the Middle Ages, a historical-philosophical interpretation emerged, relating the symbols of the Apocalypse to the history of the church. It was characterized by an anti-Muslim perspective.
The sole clear case in the Jewish Bible (Old Testament) is chapters 7–12 of the Book of Daniel, but there are many examples from non-canonical Jewish works; [12] the Book of Revelation is the only apocalypse in the New Testament, but passages reflecting the genre are to be found in the gospels and in nearly all the genuine Pauline epistles. [13]
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.