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"Peace Be Still" is a song performed by American contemporary Christian singer Hope Darst. The song was released on February 7, 2020, as the lead single from her debut studio album, Peace Be Still (2020). [1] Darst co-wrote the song with Andrew Holt and Mia Fieldes. [2] Jonathan Smith produced the single.
Peace Be Still is the live album of gospel singer James Cleveland and The Angelic Choir of the First Baptist Church of Nutley, NJ, a choir directed by Rev. Lawrence Roberts. It was recorded on September 19, 1963, at Trinity Seventh Day Adventist Church in Newark, NJ, and released in 1964 under Savoy Records .
Download as PDF; Printable version; In other projects ... move to sidebar hide. Peace Be Still may refer to: Peace Be Still (Hope Darst album), 2020 "Peace Be ...
Peace Be Still is the debut studio album by American contemporary Christian singer Hope Darst. The album was released on August 21, 2020, [1] by Fair Trade Services and Columbia Records. The album was produced by Jonathan Smith and Max Corwin. The album has been supported by the release of "Peace Be Still" and "Promise Keeper" as singles.
Some anti-war songs lament aspects of wars, while others patronize war.Most promote peace in some form, while others sing out against specific armed conflicts. Still others depict the physical and psychological destruction that warfare causes to soldiers, innocent civilians, and humanity as a whole.
Not to be confused with this studio album, there is also a re-released compilation CD entitled Peace Be Still which includes tracks from this album as well as Bell Armstrong's two subsequent releases for Muscle Shoals Sound Records, 1984's Chosen, and 1986's Following Jesus.
Vanessa Bell Armstrong (née Bell; born October 2, 1953) [1] is an American R&B and gospel singer who released her debut album Peace Be Still in 1983. She is a seven-time Grammy Award nominee, Stellar Award winner, and she won a Soul Train Award.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.