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In Candomblé altars, the orixás are often represented with images and statues of Roman Catholic saints. [95] This process may have begun as a subterfuge to retain the worship of African deities under European rule, [96] although such syncretisms could have already been occurring in Africa prior to the Atlantic slave trade. [97]
Orishas (singular: orisha) [1] are divine spirits that play a key role in the Yoruba religion of West Africa and several religions of the African diaspora that derive from it, such as Haitian Vaudou, Cuban, Dominican and Puerto Rican Santería and Brazilian Candomblé.
Instead, the orixás send their emissaries, the caboclos and pretos velhos, to appear in their place. [67] An offering to Iemanjá. Nine orixás are commonly found in Umbanda, fewer than the 16 more usually present in Candomblé. [68] The son of Olorun, Oxalá is associated with the sky and regarded as the creator of humanity. [69]
At Candomblé rituals, the Orixás are invoked and "incorporate" in the officiating priests. Due to their secret nature the inner rites of the Sisterhood, linked to the worship of the Orixás, have still not been the object of an ethnographic interpretation. What has been studied is the exterior part of the worship, which uses almost entirely ...
In Candomblé and Umbanda, Yemanjá is one of the seven Orixás. White roses are used as a ritual offering. [2] She is the Queen of the Ocean, the patron spirit of the fishermen and the survivors of shipwrecks, the feminine principle of creation, and the spirit of moonlight. Saturday is the consecrated day of Yemanjá. [4]
Many of the slaves learned to classify their orixás in relation to the Roman Catholic saints and the calendar of saints' days. [23] There is no evidence that the slaves simply used the cult of saints to conceal orixá worship, but rather that devotees understood the two pantheons as comprising similar figures with similar abilities to fix ...
Ogun is known in the Afro-Brazilian tradition of Candomblé as Ogum (Ketu, Ijexa and Efon nations) or Gu (Jeje nation). [6] Ogum is syncretized with Saint George, notably in Rio de Janeiro and the state of Rio Grande do Sul. Candomblé tradition in Northeast Brazil, especially in Bahia, associates Ogum with Saint Sebastian or Saint Anthony. [7] [8]
[13] [14] Candomblé practice honours and summons the Orixás, the African gods, which are believed to guide and protect devotees. [14] [16] This is achieved through the power of song, dancing and drumming, as a central feature of worship. Music that accompanies the religious rituals of Candomblé feature a West African style of drumming. [1]