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The Yuri Coast Seawall (由利海岸波除石垣, Yuri kaigan namiyoke ishigaki) is an Edo period (1600-1868) seawall against high waves, salt spray, and strong winds on the Sea of Japan coast in what is now part of the city of Nikaho, Akita. [1] Its remains were designated a National Historic Site of Japan in 1997. [2]
By the mid-Nara period (ca. 750) Japanese paintings showed influences of the Chinese Tang dynasty (618–907) and in the 9th century early Heian period evolved into the Kara-e genre. Wall murals in the Takamatsuzuka Tomb, the Kitora Tomb and the Portrait of Kichijōten at Yakushi-ji exemplify the Kara-e style. Generally, Nara period paintings ...
Battened clapboard wall [1] [28] Clapboarding with notched vertical battens over the boards. Bark-and-batten wall (Japanese term?) more images: Bark-and-batten wall Vertical sheets of bark, held down with horizontal battens; used as a stand-alone wall or as a decorative facing. [1] Used on poorer houses in the south of Japan in the 1880s. [1]
The artist at the time of the sale is a United States citizen or has been a California resident for at least two years. The seller resides in California or the sale takes place in California. The work is an original painting, drawing, sculpture or original work of art in glass. The work is sold by the seller for more money than she or he paid.
There is an additional 1% tax (the California Mental Health Services Act tax) if your taxable income is more than $1,000,000, which results in a top income tax rate of 13.3% in California which is the highest statewide income tax rate in the United States. [42] The standard deduction is $4,601 for 2020. [43]
Waves at Matsushima, also named Pine Islands, is a pair of Japanese landscape paintings on two six-fold screens, made by artist Tawaraya Sōtatsu in the 1620s. They were painted with ink, color, gold, and silver on paper.
A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
His collection included masterpieces by Harunobu, Utamaro, Sharaku and Hokusai, and the sale attracted many of the great collectors and dealers of the era, including Richard Pillsbury Gale (1900–1973) in Minnesota, Felix Tikotin (1893–1986), a dealer living in Switzerland, and Nishi Saiju (1927–1995), the first Japanese dealer to attend a ...