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  2. Frog (fastening) - Wikipedia

    en.wikipedia.org/wiki/Frog_(fastening)

    The frog is the end-product of thousands years of traditional Chinese knotting craft, which is itself rooted in the Lào zi culture. [3] [11] As a form of fastener, the frog first appeared on traditional Chinese clothing, [1] [12] and can be traced back to the Song dynasty when fabric was braided into braid buckles to create the loop and the button knot.

  3. Button - Wikipedia

    en.wikipedia.org/wiki/Button

    Covered buttons are fabric-covered forms with a separate back piece that secures the fabric over the knob. Mandarin buttons or frogs are knobs made of intricately knotted strings. Mandarin buttons are a key element in Mandarin dress (Qi Pao and cheongsam in Chinese), where they are closed with loops.

  4. Tangzhuang - Wikipedia

    en.wikipedia.org/wiki/Tangzhuang

    Tangzhuang (Chinese: 唐裝; pinyin: Tángzhuāng; lit. 'Chinese suit'), sometimes called Tang suit, [1]: 50 is a kind of Chinese jacket with Manchu origins and Han influences, characterized with a mandarin collar closing at the front with frog buttons.

  5. Cheongsam - Wikipedia

    en.wikipedia.org/wiki/Cheongsam

    Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.

  6. Ru (upper garment) - Wikipedia

    en.wikipedia.org/wiki/Ru_(upper_garment)

    It has a front centre closure and then curves crossover to the right before secured with frog buttons in a style called pianjin. [11]: 48–50 The front closing, collar, hem, and sleeves cuff have edging of contrasting pipings and side slits. [11]: 48–50 The jackets could also be decorated with yunjian appliqué. [27]

  7. List of Chinese symbols, designs, and art motifs - Wikipedia

    en.wikipedia.org/wiki/List_of_Chinese_symbols...

    Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006).

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