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  2. List of Chinese symbols, designs, and art motifs - Wikipedia

    en.wikipedia.org/wiki/List_of_Chinese_symbols...

    A dictionary of Chinese symbols : hidden symbols in Chinese life and thought. London: Routledge & Kegan Paul. ISBN 978-0-203-03877-2. OCLC 826514710. Ren, Liqi (2013). Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University.

  3. Chinese knotting - Wikipedia

    en.wikipedia.org/wiki/Chinese_knotting

    Chinese knots come in a variety of shapes and sizes. They are made from a single cord and are often double-layered and symmetrical in all directions. [3] [4] [5] Satin cording is the most widely used material, especially when the knotting is done for clothing and jewellery; however, cotton, parachute cord, and other materials are frequently used as well.

  4. Button - Wikipedia

    en.wikipedia.org/wiki/Button

    Covered buttons are fabric-covered forms with a separate back piece that secures the fabric over the knob. Mandarin buttons or frogs are knobs made of intricately knotted strings. Mandarin buttons are a key element in Mandarin dress (Qi Pao and cheongsam in Chinese), where they are closed with loops.

  5. File:Chinese jadeite buttons.jpg - Wikipedia

    en.wikipedia.org/wiki/File:Chinese_jadeite...

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  6. Frog (fastening) - Wikipedia

    en.wikipedia.org/wiki/Frog_(fastening)

    The frog is the end-product of thousands years of traditional Chinese knotting craft, which is itself rooted in the Lào zi culture. [3] [11] As a form of fastener, the frog first appeared on traditional Chinese clothing, [1] [12] and can be traced back to the Song dynasty when fabric was braided into braid buckles to create the loop and the button knot.

  7. Satsuma ware - Wikipedia

    en.wikipedia.org/wiki/Satsuma_ware

    Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...