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  2. Psychology of film - Wikipedia

    en.wikipedia.org/wiki/Psychology_of_film

    Studying the neuroscience of film is based on the hypothesis that some films, or film segments, lead viewers through a similar sequence of perceptual, emotional and cognitive states. Using fMRI brain imaging, researchers asked participants to watch 30 minutes of The Good, the Bad and the Ugly (1966) as they lay on their backs in the MRI scanner ...

  3. Glossary of motion picture terms - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_motion_picture...

    Film stock made of nitrate, acetate, or polyester bases is the traditional medium for capturing the numerous frames of a motion picture, widely used until the emergence of digital film in the late 20th century. film theory film transition film treatment filmmaking. Sometimes used interchangeably with film production.

  4. Flashing (cinematography) - Wikipedia

    en.wikipedia.org/wiki/Flashing_(cinematography)

    In cinematography and photography, flashing is the exposure of the film or digital sensors to uniform light prior to exposing them to the scene. [1] [2] It is used as a method of contrast control to bring out detail in darker areas. This adds a bias to the overall light input recorded by the sensor.

  5. Sensitometry - Wikipedia

    en.wikipedia.org/wiki/Sensitometry

    The telerecording film chain can be arranged to produce a direct negative-image film recording, a direct positive-image film recording, or a positive print can be made from the negative. In the first two cases we have the following four units in which local gamma or effective image contrast may be adjusted:

  6. Mise en abyme (in literature and other media) - Wikipedia

    en.wikipedia.org/wiki/Mise_en_abyme_(in...

    Mise en abyme is not restricted to a specific kind of literature or art. The recursive appearance of a novel within a novel, a play within a play, a picture within a picture, or a film within a film form mises en abyme that can have many different effects on the perception and understanding of the literary text or work of art.

  7. Formalist film theory - Wikipedia

    en.wikipedia.org/wiki/Formalist_film_theory

    Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]

  8. Contrast (literary) - Wikipedia

    en.wikipedia.org/wiki/Contrast_(literary)

    For example, John Donne and the metaphysical poets developed the conceit as a literary device, where an elaborate, implausible, and surprising analogy was demonstrated. In Renaissance poetry, and particularly in sonnets, the contrast was similarly used as a poetic argument. In such verse, the entire poem argues that two seemingly alike or ...

  9. Genre studies - Wikipedia

    en.wikipedia.org/wiki/Genre_studies

    Literary genre studies is a structuralist approach to the study of genre and genre theory in literary theory, film theory, and other cultural theories. The study of a genre in this way examines the structural elements that combine in the telling of a story and finds patterns in collections of stories.