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Example 1 Example 2 Example 3 Action Is Designer: Jeff N. Levine : Ad lib Designer: Freeman Craw : Algerian Designer: Stephen Blake, Philip Kelly Class: Decorative : Allegro Designer: Hans Bohn: Andreas Designer: Michael Harvey: Architype Albers Designer: Josef Albers: Architype van der Leck Designer: Bart van der Leck: Architype Van Doesburg ...
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
A font catalog or font catalogue, also called a type specimen book, [1] is a collection of specimen of typefaces offering sample use of the fonts for the included typefaces, originally in the form of a printed book. [2] The definition has also been applied to websites [3] offering a specimen collection similar to what a printed catalog provides.
Marlett is a TrueType font that has been used in Microsoft Windows since Windows 95. The operating system uses this font to create user interface icons that are used in the menus and windows. [1] Examples are the close, maximize and minimize buttons that are made from the individual glyphs in the font. This was important to allow the users to ...
In some font designs the unit-arrangement can be different for each point size, for example, with the Lutetia (typeface) and some other fonts of Jan van Krimpen. These UAs are essential for the layout of the matrix case, in which the matrices are sorted into rows by the unit widths.
In typography, a font superfamily or typeface superfamily is a font family containing fonts that fall into multiple classifications. [ 1 ] The norm in a superfamily is to start from an identical character shape; class-specific features such as serifs are added to that shape.
In typography, the Vox-ATypI classification makes it possible to classify typefaces into general classes. Devised by Maximilien Vox in 1954, it was adopted in 1962 by the Association Typographique Internationale (ATypI) and in 1967 as a British Standard, as British Standards Classification of Typefaces (BS 2961:1967), [1] which is a very basic interpretation and adaptation/modification of the ...
The company was founded to design, license and market typefaces for filmsetting and computer set types internationally. The company issued both new designs and revivals of older or classic faces, invariably re-cut to be suitable for phototypesetting and later digital use and produced in families of different weights.