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In relation to foreshadowing, the literary critic Gary Morson describes its opposite, sideshadowing. [11] Found notably in the epic novels of Leo Tolstoy and Fyodor Dostoevsky, sideshadowing is the practice of including scenes that turn out to have no relevance to the plot. That, according to Morson, increases the verisimilitude of the fiction ...
Gary Saul Morson (born April 19, 1948) [1] is an American literary critic and Slavist. He is particularly known for his scholarly work on the great Russian novelists Leo Tolstoy and Fyodor Dostoevsky, and the literary theorist Mikhail Bakhtin. Morson is Lawrence B. Dumas Professor of the Arts and Humanities at Northwestern University.
Telegraphing is often compared to foreshadowing [4] as a way to reveal incoming plot and make the listener form expectations. [5] While foreshadowing doesn't necessarily reveal that the introduced element will play a role later, telegraphing conveys information to spectators about how the plot will develop. [ 6 ]
Created Date: 8/30/2012 4:52:52 PM
The American literary critic Gary Saul Morson has written extensively on the topic: [2] In texts of this type, each voice may be taken to be parodic of the other; readers are invited to entertain each of the resulting contradictory interpretations in potentially endless succession.
A rifle on display. Chekhov's gun (or Chekhov's rifle; Russian: Чеховское ружьё) is a narrative principle that states that every element in a story must be necessary and irrelevant elements should be removed.
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It is similar to foreshadowing, in which future events are not shown but rather implicitly hinted at. It is also similar to an ellipsis , which takes the narrative forward and is intended to skim over boring or uninteresting details, for example the aging of a character.